Broadcast Tools SS 4.1 III Instrukcja Użytkownika Strona 30

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3.0.1.3 Recording and Auditioning a Cut in the Record Dialog
The lower third of the Record Dialog is used both to audition and record audio.
To audition the cut, simply press the play button (the one with the triangular
symbol). The button should illuminate, audio should show on the bar meter and
start playing immediately. The audio will play to completion, unless either the
stop button (square symbol) is pressed, or the Record Dialog is closed.
To record new material into a cut, first ensure that the Channels drop-down menu
is set to record the appropriate number of channels, then touch the record button
(round symbol). If the cut contains audio that was recorded previously, a warning
box will pop up at this point to inform you of this and to give you a chance to
abort the recording without erasing what was previously recorded. If Yes is
selected here, the previous recording will be overwritten and no longer accessible.
The record button should now be illuminated steadily, while the play button will
be flashing, indicating that the record machine is in 'ready' mode. The bar meter
will also be active to indicate input levels, and this is the point where you want to
verify that your levels are correct, with peaks just into the yellow area being
optimal. Nothing is actually being recorded just yet.
We have two options for actually starting the record machine. We can start it
manually by pressing the play button, at which point the machine will
immediately begin recording, or we can set the Record Mode drop-down menu to
the VOX (short for voice activated) setting. When in VOX mode, the record
machine will start automatically as soon as it senses the presence of audio at the
input.
Once started, recording will continue until either the stop button is pushed, or the
maximum allowed length for a manual recording (set by the system administrator)
has been reached. Once stopped, if the AutoTrim drop-down menu has been set to
On, the Start and End markers will be automatically set to the beginning and end
of detected audio within the cut. (We will discuss Markers in detail when we get
to the section on the Edit Markers dialog).
Section 3.1 Alternative Methods of Audio Ingestion
In addition to manually recording material in realtime, RDLibrary supports two
alternative methods for audio ingestion:
Importing from a File
Ripping from a CD
3.1.0 Importing Audio from a File
To import audio from a file directly into a cut, we start by opening the cut's parent
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